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"Pete is a
great teacher; he knows how to make things easy to
understand."
Anneke
Schram - Personal Assistant - Antwerpen - Belgium |
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Peter Evans
has been 'behind a camera' since he was eleven years old. At
the age of 28, after
seven years of business management in the UK, he quit his
day job and set up as full-time freelance photographer.
Pete (as he
prefers to be called) has diverse photographic experience.
At one end of the scale he has photographed Miss United
Kingdom, Miss France, Miss Europe and Miss World whilst, at
the other, he has produced a four metre wide landscape,
photographed from a two-seat aircraft using a view-camera
and 7"x 5" sheet film. He has also photographed
Prince Charles (as an accredited photographer) and the
actress
Julie Christie (as a friend).
Over the years
Pete's photographs have appeared in numerous 'Glossies',
in catalogues and brochures, on advertising posters and
product packaging, on
boardroom and CEO office walls, on calendars and postcards,
in British national and provincial newspapers, and
in various French publications. Although having now 'eased down a gear' he is
still "photographer on-call" in southwest France for
Associated Newspapers, London*. He is currently involved
in the production of a coffee-table book to be published
next year in the UK, France and Germany.
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Photo by British
photography client, Brian Maunder |
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The importance of composition is explained
to two clients, from Belgium and the UK

photo by Australian photography client
Malcolm Edward-Cole |
Although experienced in most types of film and darkroom techniques
(working in both B&W and colour), Pete has been '100%
digital' since 2002.
He has also had experience working with a video
production company. "Apart from the obvious, the only
real difference between stills and the moving image is
the way the story is told," he explains, "Which is why
many great cinematographers and directors (especially in
the fields of advertising and music video) have come
from a still photography background.
"Like
Jill, I don't favour the classroom style at all," Pete says, "Each one
of my guests receives individual attention
based on his or her own knowledge, ability and camera used. And, also like Jill, I give my guidance
hands on, while we're
actually out working in the field," as per the photos above
and below.
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On the subject of cameras used,
Pete firmly believes
John Hedgecoe's
adage that 'cameras
don't make pictures, people do.' As a result, he
discourages obsession with equipment and encourages visual
awareness and an understanding of image creation.
'If I knew how to
take the perfect photograph, I'd do it every time!' Pete
says, paraphrasing the renowned quote from another of
his influences, the famous French photographer
Robert Doisneau. "Joking aside, it is truly impossible to define what makes 'a good photograph'," he says,
"So I approach the task from a different angle; I teach
people how to avoid making a bad one."
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A
Canadian client learns how to avoid
the problem of 'camera-shake'

both
photos by British photography client, Richard Epworth
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Explaining the
challenge of shooting a game of Petanque in
high contrast lighting conditions
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Two of Pete's
former guests, Ed Gowing from Australia and Alison Walker from the UK, have since gone on to
pursue full-time careers in photography. "It made me very
happy to hear that news," he says, "That really is enormously rewarding for me."
* Because of this, you may find yourself
participating in a real-life assignment during your stay!
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Pete's photographs are available
for purchase from the
World Photography Collection
and from his own website -
peter-evans-photographer.com |
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Peter Evans is a
member of the
Royal Photographic
Society
and a
member of Nikon
Professional Services |
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